the first review is in and I'm so happy

This is the Winnipeg Free Press in praise of Body Trade in part:

"And if a writer has genuine star quality, a sharper, deeper radiance than most, then he or she ought to be identified and celebrated without delay.
Time may be of the essence. Margaret Macpherson, a relatively unknown Maritime-born Albertan, is such a writer, and Body Trade, her seventh book and second novel, is the proof. She writes with the psychological insight of Carol Shields, the gravitas of Margaret Atwood, the poetic reflexes of Earl Birney and the earthy eroticism of Leonard Cohen, but her voice remains uniquely her own." 
Well, I may not be Maritime-born,  and I would certainly never ever put myself in the same league as the fabulous writers the reviewer quoted, I am so so glad the book struck a chord. After six weeks of silence, this review has buoyed me up.  

Let's meet the kids where they are

This is a letter I still may publish in the paper: I'm incensed about this attitude. I'm posting it here to get it off my chest but we'll see..



I am an Alberta author with a newly released novel entitled Body Trade.  Please be assured this letter is not to promote my work. The novel deals with some hard issues: disappeared aboriginal women, sexual exploitation, class, teenagers getting in over their heads, luring, casual sexual relationships, imperialism and the consumption and erosion of culture. In a word, the book is about hard moral choices young people are forced to make. The female protagonists in the book are seventeen and twenty-two years old respectively

Yesterday I was invited to a small rural community to speak about my work to high school students. Imagine my dismay when I was pointedly asked not to say too much about my new novel, nor, indeed my previous book, which deals with identity, institutional manipulation, abortion and domestic violence. “Keep it safe,” was the message I received. “These are high school students. The school board has boundries.” In the next breath the person overseeing the author visit told me her community had the highest levels of STDs, teen pregnancy, cutting (self mutilation) and crack cocaine in the province.

I put it to you, and to anyone who cares about students and literature and telling the truth about the world we live in, is it not safer to learn about the world of choice through books (that one is free to put down) than by acting out in the ways described above?  God help us, if we do not address the needs of our young people with stories they can relate to and talk about among themselves.  An ostrich with its head in the sand is the stuff of Dr. Seuss. Perhaps the Alberta public education systems need to think about the reality of young Albertans when Seuss says, “The more that you read, the more things you will know. The more that you learn, the more places you'll go.”

Read, but not the new stuff

I often do school visits. I like them. I like the kids. I like the energy. I like demystifying the writing process as much as possible. I love going to  rural places, the initial drive through the country, the feeling that I am leaving the claws of the city to go to a fresher more simplified place, Afterwards is the restorative drive home, the depleted feeling of good energy given, of having done something good for kids who may come a little closer to themselves through the documentation of themselves, the process of processing experience. I like it.  I like sharing my ideas on the hows and whys of writing

In the last two school visits, I've been told to stick to old material. Someone (the high school board of Education, I assume) has deemed Body Trade and Released  too hard for high school students even though they are hungry to read the material. Domestic violence, teenage sexuality, institutional manipulation, friendship, betray...hummmm all the things they are experiencing in the school yard and outside the walls of higher education, but not inside, no never inside.

It reminds me of the librarians who legislate the moment you can go from the children's library to the adult section, that glorious moment that opens up when the censor falls asleep, the guard is dropped and the world of real life opens up. I mention my books. I do not read from the. Perhaps the students are not ready. I wonder if this is so. And who calls that shot?

The fall of childhood


I took my son to a pumpkin field north of the city on Thanksgiving Monday, after roast turkey and red wine consumed the night before gave back their somnolent power.  We drove through town, the unfamiliar north side where dim sum and pawnshops and rows of walk up apartments barely blinked at our smooth Volvo passage.

He wore a leather jacket and a slouch cap and took up so much room in the front the modern seat motor whirred to make room for his knees clashing with the dash. My son, his loping feet size twelve, his shoulders broadening and growling under a stripped new September tee, already too small, his chin a jumble of hormones and whiskers and the wild eruptions of fourteen-year-old man-boy, almost of age.

My boy and I were together for the day despite the fact that I’d encouraged another – his girl, perhaps? – a teenager named Jane whom he’d gravely told me the other day:  “you know were dating now,” and when I inquired about the change between “just friends” and “dating”  he’d drummed his fingers on the counter asking why there was rarely anything good to eat.

My boy and I on a road, on a sun soaked highway heading  past haystacks so golden I swear they have been placed upon the field for the express purpose of calendar shots, that shimmering feast of harvest  a riot of warmth for my hungry-for-the-country eyes. We travel fast and talk little and yet what hangs between us is as rich as the farmers yield, as certain as the beets and spuds and strangely misshapen carrots I pulled from our backyard garden the day before. Our silence is a feast of mother/son love, revealed in the autumn glow as the last of this certain light gives way to frost.

We turned into a farm, some pumpkin patch, corn maze place I had found on-line the day before to solidify our adventure and I immediately realize my mistake as he unfolds his slouch frame, surely six full feet by now, from the passengers seat squeeze.

“Mom, this is for little kids.”

And, indeed it is. Small yelping tykes, from age two to eight, launch themselves off haystacks, beg tokens to shoot pumpkins from a blasting cannon for the pleasure of watching them mush against a distance pirate ship, its flags in stringy tatters half an acre away.  The parents, thirty-something’s, fresh in the throes of what to do without nursery school, hover nearby, exhilarated by family time, their cameras clutched close to capture the fleeting cuteness of this October adventure.

Oh, my boy is embarrassed.

“We can still do the corn maze,” I cajole. “You like corn mazes. Let’s take a look, we’ve come this far,” and, bless him, he agrees, and we line up with shrieking children mad for the petting zoo, the haunted house, the painted pumpkins and I see the time between then and now is realized in the shifting stance of these patrons, impatient to begin.

Meanwhile my boy, this young man, smiles at me shyly and suggests the entry fee may not be worth the price of admission, but I will not agree and we both know I am buying autumn’s times before he slips away into the silence of his own long winter.

“You like it, Mom,” he teases, and I must admit I do. I chomp on a caramel candied apple while he is satisfied with the least autumnal item, a tin of coke, as we walk together, stroking alpacas and goats, a rabbit hutch of squirming young. When I ask his to hold a tiny bunny he only shrugs, so I lean down into the straw and find another boy, the shadow of my companion, pale and shy and not yet three and I hold the baby rabbit out, “gentle, gentle,” I command as this other long ago boy reaches his grubby hand to touch.

Through the empty pumpkin fields my son and I walk. I make a scarecrow from straw and old clothes and while he allows this mother indulgence, he staves it off by plucking a wizened gourd from the vine and flipping it up and away, his boy smile broader than any jack-o-lantern we have ever carved.

We entre the corn maze together and it’s then I see my son alive as he charges zigzag and headlong through the drying stocks of corn, his comment tossed off like the now forgotten gourd.  “Soon I’ll see above the trail” he crows amid the labyrinth maze of this particular harvest.

Oh, I am subdued when at last we leave, but there is something accomplished in our departure and that 32 kilometer drive back to town. He puts his head back, closes his eyes and in the warm afternoon glow I see him into his next incarnation, grateful for the wrong-headed, right -hearted afternoon we have spent together as the husk of his childhood falls away and the bare autumn fields surrender their fruits. 

As my son sleeps – for sleep they must – I silently thank the God of Harvest for this lad who, even as he shakes off childish ways, allow me to remain a seed keeper, a sure and certain memory receptacle for all his boyish ways. 

now that I know the code

After numerous attempts I have discovered how to access my own blog! A minor miracle for me. But I think it opens up another conversation and a question I'd like to address: are we spending so much time doing virtual updates, keeping the masses appraised of our every thought synapse and physical movement that we are suppressing and stifling the creative impetuous that leads us to walk, talk face to face, indeed create?

I have been advised to get my new novel out to book bloggers and I would gladly do so as I believe the world vitural has a voracious appetite for on-line reading, Problem is I'm not sure how, and given my comments above, I'm not sure if that is a healthy alternative. I do not see the mainstream press (which, I must admit, I have been a part of for a good two decades) taking up the mantle of new work, original ideas, Canadian invention.

This is a question I will sit with, contemplate, until there is a call to action. Meanwhile, comment if you care to. I am all (virtual) ears,

art generates art

Last weekend I sold my book to a fellow artist, Lindsay. Yesterday, she arrived at my house baring 17 beautiful pen and ink drawings that illustrate her response to the work I've called Body Trade. So exquisitely tender, so open-hearted is Lindsay's work, I am moved beyond words. I will display her work at the book launch tomorrow so that it can inform the readers. I am so proud that this has happened, so proud and so humbled. Body Trade, if you sit with it, calls forth a response. This is what I needed to hear and know. The literary critics can't touch the book now. Lindsay's drawing say it all. So blessed. Masi cho

If the technology don't kill me first

Yes, Body Trade is out. It's a product. "Treat it as a product." That's the advice I've been given. My product is $19.95 but, oh the emotions it stirs. What is that worth? What is it to devote four years of your life to writing a book that has been brewing since an airplane when down 39 years ago in some barrenlands in the forgotten countryside of the Territories? Since a 14 year old Inuk boy starved to death.
The Highway of Tears blurs my vision. All the little Rosies that went down that road. I hold you close, little sisters. I have written this book for you.
Oh, it's a Kobo download too. A Kobo download. And Kindle and I-books. I need to post links, direct traffic, but, this night, with sleep in my mind and a book launch that must honour and not diminsh these beautiful girls I've spent the last four years with, I just don't feel like I can.

The Book, is en route!

So exciting, Body Trade is being sent. To me. To bookstores. To reviewers. It's coming out. I've got a launch date, September 30th at HTAC, I've got invites for lots of people (come one, come all) I've got energy for the project, I've got a good feeling about this one, I'm figuring out pdfs and listserv and website updates and even access to this blog. Who said you can't teach an old dog new tricks. It's a beautiful cover, lovingly designed, meticulously published. I'm afraid my techno-phobia is causing my poor publisher grey hair, but I'm getting it. The book should hit the stores next week and the promo is going out. Why to I feel so tremulous? And, did I just make that word up? Gentle readers, what I believe is an important story is about to hit the stands....

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A Writers Guild Win

The work must have spoken. My piece -- unpacking love and death and long term marriage -- A Thousand Years North of Dorothy, was awarded the James H. Grey award for short non-fiction. What a thrill. I was very surprised not because I didn't think it was a good piece, but because of what I have learned in writing that essay. It came straight from a true place. I remember years ago one of my literary mentors Greg Hollingshead commented that my writing in superlative when it comes from a true place. I'd crafted the other piece I submitted, worked on it for hours, and yet A Thousand Years came in three goes, three straight writing sessions that were for no one but myself. Once I put the three pieces together and found the through line, the essay fell together and obviously held together without sentimentality or artifice. It was a great affirmation to win that award from a jury of my peers. And with Body Trade off at the press...who knows what will happen to this writing career? I know one thing: I will stay true to what is real and what matters to me.

Thin Air Festival

Yippee! I've been invited to Winnipeg's international writing festival Thin Air for a (yes, yes, yes) Mainstage event. That's such great news, and Body Trade isn't even on the shelves yet. There seems to be gathering energy around this work. I hope it all pans out. The closer the pub date, the more nervous I get. I have to trust that it really can carry the content and that my characters are true and believable. Such good news about the festival. These are opportunities to meet other authors, sell lots of books and generally get your name out there. I'm heading to the Alberta Literary Awards this weekend, so it should also be a good time to promo the book. I love the outer part of writing, once a project is finished and you can take it out. I once likened it to bringing your new baby out to meet the neighbours. I'm pumped about the festival circuit. Such fun!! Hopefully I'll get to go to a couple of others. There is such a small window when a work comes out. It's great to poke your head up from the computer and recognize all these amazing people are out there, interested in what you've been writing. Or not....but I won't go there. Not yet.

Reading at Audreys

I'm short listed for an Alberta literary award! For an essay I wrote about marriage, of all things. It's called A Thousand Years North of Dorothy. I was invited to read an excerpt from the essay along with Alberta luminaries such as Robert Kroetsch, Alice Major, Janice Williamson. Wow, what a thrill.  I wanted to read from Body Trade because I'm so psyched about that novel now but, in keeping with the "afternoon with the authors" theme I thought it best if I just read from "A Thousand Years" I told the folks gathered that the real title is A Thousand Years North of Dorothy: Ruminations on Marriage and I think that was a surprise. The subject of my essay, Mark, was not there. He was (bless him) doing the Dad thing at William's soccer game. It was a charming afternoon and I was so glad to be part of it. Thank-you Writers Guild of Alberta. Thank-you Mark.

check out the book trailer

This is something I didn't expect! A trailer for a book. My book! Body Trade is coming together at last. I'm doing copy edits and Karen (my editor from Signature) is sending me notes soon. The trailer idea came from her publicist and after a brainstorming session, this is what we came up with. I think it's really, really cool. You decide...

http://www.youtube.com/watch?v=xlN7oTU6rC0

Not spring, not fall but something inbetween

Seems there are problems at the publishing house and the book Body Trade, due out in April, may be a late release. I trust it is still a go. I have a lot of faith in Signature Editions, my publishers, despite them being a small press. My editor Karen said this: "There is lots of competition [for profiles and reviews]when books come out in the spring; there is lots of competition when books come out in the Fall. Yours will come out in-between." I have to trust that doesn't mean slip through the cracks. I have to trust that this book, a four year project, with writing and re-writing and re-writing once again, will get the attention it needs. Meanwhile I am trying to get together a marketing campaign, a book launch date and a decent photo of the right resolution (who knew it had to be a certain number of dpi?). The stumbling blocks continue but I believe, I believe it must be told. As a taster I'll post a poem tomorrow.