This is a letter I still may publish in the paper: I'm incensed about this attitude. I'm posting it here to get it off my chest but we'll see..
I often do school visits. I like them. I like the kids. I like the energy. I like demystifying the writing process as much as possible. I love going to rural places, the initial drive through the country, the feeling that I am leaving the claws of the city to go to a fresher more simplified place, Afterwards is the restorative drive home, the depleted feeling of good energy given, of having done something good for kids who may come a little closer to themselves through the documentation of themselves, the process of processing experience. I like it. I like sharing my ideas on the hows and whys of writing
In the last two school visits, I've been told to stick to old material. Someone (the high school board of Education, I assume) has deemed Body Trade and Released too hard for high school students even though they are hungry to read the material. Domestic violence, teenage sexuality, institutional manipulation, friendship, betray...hummmm all the things they are experiencing in the school yard and outside the walls of higher education, but not inside, no never inside.
It reminds me of the librarians who legislate the moment you can go from the children's library to the adult section, that glorious moment that opens up when the censor falls asleep, the guard is dropped and the world of real life opens up. I mention my books. I do not read from the. Perhaps the students are not ready. I wonder if this is so. And who calls that shot?
After numerous attempts I have discovered how to access my own blog! A minor miracle for me. But I think it opens up another conversation and a question I'd like to address: are we spending so much time doing virtual updates, keeping the masses appraised of our every thought synapse and physical movement that we are suppressing and stifling the creative impetuous that leads us to walk, talk face to face, indeed create?
I have been advised to get my new novel out to book bloggers and I would gladly do so as I believe the world vitural has a voracious appetite for on-line reading, Problem is I'm not sure how, and given my comments above, I'm not sure if that is a healthy alternative. I do not see the mainstream press (which, I must admit, I have been a part of for a good two decades) taking up the mantle of new work, original ideas, Canadian invention.
This is a question I will sit with, contemplate, until there is a call to action. Meanwhile, comment if you care to. I am all (virtual) ears,
Last weekend I sold my book to a fellow artist, Lindsay. Yesterday, she arrived at my house baring 17 beautiful pen and ink drawings that illustrate her response to the work I've called Body Trade. So exquisitely tender, so open-hearted is Lindsay's work, I am moved beyond words. I will display her work at the book launch tomorrow so that it can inform the readers. I am so proud that this has happened, so proud and so humbled. Body Trade, if you sit with it, calls forth a response. This is what I needed to hear and know. The literary critics can't touch the book now. Lindsay's drawing say it all. So blessed. Masi cho
Yes, Body Trade is out. It's a product. "Treat it as a product." That's the advice I've been given. My product is $19.95 but, oh the emotions it stirs. What is that worth? What is it to devote four years of your life to writing a book that has been brewing since an airplane when down 39 years ago in some barrenlands in the forgotten countryside of the Territories? Since a 14 year old Inuk boy starved to death.
The Highway of Tears blurs my vision. All the little Rosies that went down that road. I hold you close, little sisters. I have written this book for you.
Oh, it's a Kobo download too. A Kobo download. And Kindle and I-books. I need to post links, direct traffic, but, this night, with sleep in my mind and a book launch that must honour and not diminsh these beautiful girls I've spent the last four years with, I just don't feel like I can.
So exciting, Body Trade is being sent. To me. To bookstores. To reviewers. It's coming out. I've got a launch date, September 30th at HTAC, I've got invites for lots of people (come one, come all) I've got energy for the project, I've got a good feeling about this one, I'm figuring out pdfs and listserv and website updates and even access to this blog. Who said you can't teach an old dog new tricks. It's a beautiful cover, lovingly designed, meticulously published. I'm afraid my techno-phobia is causing my poor publisher grey hair, but I'm getting it. The book should hit the stores next week and the promo is going out. Why to I feel so tremulous? And, did I just make that word up? Gentle readers, what I believe is an important story is about to hit the stands....
m
The work must have spoken. My piece -- unpacking love and death and long term marriage -- A Thousand Years North of Dorothy, was awarded the James H. Grey award for short non-fiction. What a thrill. I was very surprised not because I didn't think it was a good piece, but because of what I have learned in writing that essay. It came straight from a true place. I remember years ago one of my literary mentors Greg Hollingshead commented that my writing in superlative when it comes from a true place. I'd crafted the other piece I submitted, worked on it for hours, and yet A Thousand Years came in three goes, three straight writing sessions that were for no one but myself. Once I put the three pieces together and found the through line, the essay fell together and obviously held together without sentimentality or artifice. It was a great affirmation to win that award from a jury of my peers. And with Body Trade off at the press...who knows what will happen to this writing career? I know one thing: I will stay true to what is real and what matters to me.
Yippee! I've been invited to Winnipeg's international writing festival Thin Air for a (yes, yes, yes) Mainstage event. That's such great news, and Body Trade isn't even on the shelves yet. There seems to be gathering energy around this work. I hope it all pans out. The closer the pub date, the more nervous I get. I have to trust that it really can carry the content and that my characters are true and believable. Such good news about the festival. These are opportunities to meet other authors, sell lots of books and generally get your name out there. I'm heading to the Alberta Literary Awards this weekend, so it should also be a good time to promo the book. I love the outer part of writing, once a project is finished and you can take it out. I once likened it to bringing your new baby out to meet the neighbours. I'm pumped about the festival circuit. Such fun!! Hopefully I'll get to go to a couple of others. There is such a small window when a work comes out. It's great to poke your head up from the computer and recognize all these amazing people are out there, interested in what you've been writing. Or not....but I won't go there. Not yet.
I'm short listed for an Alberta literary award! For an essay I wrote about marriage, of all things. It's called A Thousand Years North of Dorothy. I was invited to read an excerpt from the essay along with Alberta luminaries such as Robert Kroetsch, Alice Major, Janice Williamson. Wow, what a thrill. I wanted to read from Body Trade because I'm so psyched about that novel now but, in keeping with the "afternoon with the authors" theme I thought it best if I just read from "A Thousand Years" I told the folks gathered that the real title is A Thousand Years North of Dorothy: Ruminations on Marriage and I think that was a surprise. The subject of my essay, Mark, was not there. He was (bless him) doing the Dad thing at William's soccer game. It was a charming afternoon and I was so glad to be part of it. Thank-you Writers Guild of Alberta. Thank-you Mark.
This is something I didn't expect! A trailer for a book. My book! Body Trade is coming together at last. I'm doing copy edits and Karen (my editor from Signature) is sending me notes soon. The trailer idea came from her publicist and after a brainstorming session, this is what we came up with. I think it's really, really cool. You decide...
http://www.youtube.com/watch?v=xlN7oTU6rC0
Seems there are problems at the publishing house and the book Body Trade, due out in April, may be a late release. I trust it is still a go. I have a lot of faith in Signature Editions, my publishers, despite them being a small press. My editor Karen said this: "There is lots of competition [for profiles and reviews]when books come out in the spring; there is lots of competition when books come out in the Fall. Yours will come out in-between." I have to trust that doesn't mean slip through the cracks. I have to trust that this book, a four year project, with writing and re-writing and re-writing once again, will get the attention it needs. Meanwhile I am trying to get together a marketing campaign, a book launch date and a decent photo of the right resolution (who knew it had to be a certain number of dpi?). The stumbling blocks continue but I believe, I believe it must be told. As a taster I'll post a poem tomorrow.
